Unemployed whiz kid Dale Coles struggles to save his marriage and his sanity when his previously charmed life’s turned topsy turvy by a cadre of killers and clowns.
Dale and wife Lacy – daughter of an eccentric but filthy rich Tennessee lumber magnate – unwittingly adopt into their domestic wrangle Twist, the brain-damaged orphan, and Lieutenant Revels, the beat-weary yet determined conservation officer seeking revenge for Lacy’s unscrupulous boss’s part in the mysterious extinction of rare birds on a prime piece of real estate.
And then there’s the other extinctions ... the human ones.
In the parade of offbeat characters in Hughes’ ingenious and ’90s-set street smart black comedy of crime, we meet cutthroat businessman Henry Meredith, out for what he can get, psycho hitman Connie Jablonski, out for what he can hurt, mobster Johnny Avalino, greedy to enhance the value of his beach-front property by any means, Nancy Littlecrow, the shameless and cagey Native American attorney who gives new meaning to the term ‘Indian Affairs’, Seymour L. Bram, the retired and retiring Air Force Major suffering from chronic depression and delusions of easy money, Duncan Slochbauer, the slovenly and obsessed amateur producer of grisly news videos ...
And we don’t quite meet poor Karen Kern and the faceless others who might have crossed the path of a crazed and kinky serial killer nobody seems to have noticed lurking somewhere in Hughes’ uniquely colourful dramatis personae.
Harry Hughes takes noir to a new level. Wry, classy, compelling, and utterly hysterical. Think Iain Pears crossed with Martin Amis. Dale and Lacy make an endearingly team of anti-heroes in a world showing its true colours. Magdalena Ball. The Compulsive Reader
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